963. Ornette Coleman - Naked Lunch (1992)

music from the original soundtrack
music composed by Howard Shore
featuring the London Symphony Orchestra
and Ornette Coleman
1992
Milan 73138 35614-2

@256 plus scans


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962. Don Cherry - Complete Communion (1966)

Don Cherry . cornet
Gato Barbieri . tenor saxophone
Henry Grimes . bass
Ed Blackwell . drums

Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey
on December 12, 24, 1965

1. Complete Communion
Complete Communion
And Now
Golden Heart
Remembrance

2. Elephantasy
Elephantasy
Our Feelings
Bishmallah
Wind, Sand And Stars

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961. Dino Saluzzi Group - Mojotoro (1992)

1.Mojotoro
2.Tango a mi padre
3.Mundos
4.Lustrin
5.Viernes Santo
6.Milonga (La Puñalada)
7.El Camino

Dino Saluzzi . bandoneon, percussion, voice
Celso Saluzzi . bandoneon, percussion, voice
Felix 'Cuchara' Saluzzi . tenor and soprano saxophones, clarinet
Armando Alonso . guitars, voice
Guillermo Vadalá . electric bass, voice
José Maria Saluzzi . drums, voice
Arto Tuncboyaci . percusson, voice

Recorded at Estudios Ion, Buenos Aires, Argentina in May 1991

ECM 1447

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960. Patricia Barber "Modern Cool" (1998)

Patricia Barber - piano, vocal, table knives on strings
Michael Arnopol - bass
John McLean - guitar
Mark Walker - drums, percussion, prepared drum kit
Dave Douglas - trumpet
Jeff Stitely - udu
Choral Thunder Vocal Choir

Recorded and mixed at Chicago Recording Company, Studio 5, Chicago,
on January 6th-9th and February 26th, 1998

1.Touch Of Trash
2.Winter
3.You & The Night & The Music
4.Constantinople
5.Light My Fire
6.Silent Partner
7.Company
8.Let It Rain
9.She's A Lady
10.Love, Put On Your Faces
11.Postmodern Blues
12.Let It Rain - Vamp

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Arranging and Composing for the Small Ensemble by David Baker

This professional manual lets you share the secrets of David Baker's success.
Baker explains his practical working techniques for piano trio, jazz quartet, four- and five-part writing, chord substitutions, voicings, bass patterns and much more.

Paperback: 176 pages
Publisher: Alfred Publishing Co., Inc.; Revised edition (January 1988)

PDF 5MB

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Mirror 1 :: Mirror 2

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959. Clifford Brown & Max Roach At Basin Street (1956)

Clifford Brown - Trumpet
Max Roach - Drums
Sonny Rollins - Sax (Tenor)
George Morrow - Bass
Richie Powell - Piano

Recorded January 4, 1956 - February 16, 1956

01. What Is This Thing Called Love? 7:40
02. Love Is a Many Splendored Thing 4:17
03. I'll Remember April 9:18
04. Step Lightly (Junior's Arrival) 3:35
05. Powell's Prances 3:32
06. Time 5:08
07. The Scene Is Clean 6:09
08. Gertrude's Bounce [#] 4:13
09. Flossie Lou [#] 3:59
10. What Is This Thing Called Love? [alternate take] 8:26
11. Love Is a Many Splendored Thing [alternate take] 3:52
12. I'll Remember April [alternate take] 9:41
13. Flossie Lou [alternate take] 4:01

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pt1 :: pt2

The Jazz Piano Solos of Red Garland

Piano Jazz Scores, transcribed and with an introduction by Anthony Genge.

PDF 5.70MB : 111 Pages

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Mirror 1 | Mirror 2

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958. Lee Konitz and Red Mitchell - I concentrate on you (1974)

a tribute to cole porter
recorded 30 july 1974 in copenhagen

Just One of Those Things (5:09)
Just One of Those Things [Take 7] (3:05)
Easy to Love (3:15)
It's All Right with Me (3:00)
Ev'ry Time We Say Goodbye [Take 1] (2:49)
Ev'ry Time We Say Goodbye (2:50)
You'd Be So Nice to Come Home To (3:46)
Love for Sale Cole Porter (5:16)
In the Still of the Night (2:11)
Night and Day [Take 1] (5:14)
Night and Day (3:56)
I Love You (3:36)
I Love Paris (3:23)
I Concentrate on You (9:12)

Lee Konitz (Sax (Alto)
Red Mitchell (Bass, Piano)

steeplechase SCCD 31018

@192 plus scans 79mb

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957. Jack DeJohnette's Directions - New Rags 1977

Jack DeJohnette's Directions - New Rags 1977
ECM

Jack DeJohnette- Drums, Piano
John Abercrombie- Electric Guitar, Electric Mandolin
Alex Foster- Tenor and Soprano Saxophones
Mike Richmond- Bass, Electric Bass

01. Minya's The Mooch 11:22
02. Lydia 3:41
03. Flys 6:03
04. New Rags 9:06
05. Steppin' Thru 10:28

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956. Lisa Ekdahl - Sings Salvadore Poe (2000)

Lisa Ekdahl - Sings Salvadore Poe (2000)
MP3 | 320Kbps | 116 MB covers
RCAVictor | Total time: 51:22
** SWEDEN Special **

1. Daybreak 3:14
2. Rivers Of love 4:13
3. Sunny Weather 3:31
4. Only You 4:29
5. The Color Of You 3:39
6. How Many More Times 3:29
7. I Will Be Blessed 2:44
8. Since You've Been Gone 3:30
9. I've Never Seen Anything Like You 4:54
10. I Don't Miss You Anymore 3:53
11. Nightingale 2:10
12. The Rythm Of Our Hearts 4:06
13. Sun Rose 2:09
14. Of My Conceit 5:14
All compositions by Salvadore Poe

Lisa Ekdahl (Vocals)
Salvadore Poe (Guitar)
Magnus Lindgren (Flutes and Saxes, Bass Clarinet, Keyboards)
Fredrik Johnsson (Double Bass and Bass Guitar)
Jonas Holgersson (Drums and Percussion)

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The Jazz Language - A Theory Text for Jazz Composition and Improvisation

PDF 60 pages - 16.8 MB

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955. Carlos Martins, "Passagem" (1995)

1. Sofia
2. Mali M'blue Baaba
3. Duo
4. A Espera
5. Working Blues
6. Round Trip
7. Passado Presente
8. I Trust On You
9. Sophisticated Lady
10. Naif

Carlos Martins tenor, soprano saxophone
Bernardo Sassetti piano
Carlos Barreto bass
Cindy Blackman drum

Total time: 57'46

Recorded: Feb. 1995

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954. Maria João & Mário Laginha - Chocolate (2008)

Maria João & Mário Laginha : Chocolate : 2008
Emarcy / Universal Music
FLAC ~350 MB (3 files)
MP3 @ 192 Kbps : 78,7 MB

01. I Have a Heart Just Like Yours - 5:47
02. Goodbye Pork Pie Hat - 4:28
03. I’ve Grown Accustomed to His Face - 4:59
04. Sweet Suite - 11:48
05. This Time - 7:55
06. Modern Mode / I’m Old Fashioned - 3:39
07. If You Could See Me Now - 6:42
08. Mati Mati - 6:38
09. When You Wish Upon a Star - 2:37

Maria João - voice
Mário Laginha - piano
Julian Argüelles - sax
Helge Andreas Norbakken - percussion
Alexandre Frazão - drums

Emarcy / Universal Music 06025 1789783 0

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953. Maria João - João (2007)

01.Retrato em Branco e Preto
02.Partido Alto
03.Rosa
04.E.C.T.
05.Escurinha
06.Canto de Ossanha
07.Valsa Brasileira
08.Dor de Cotovelo
09.Tico-Tico no Fubá
10.No Tabuleiro da Baiana
11.O Silêncio das Estrelas
12.A Outra
13.Choro Bandido
14.Meu Namorado

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952. Maria João; Mário Laginha - Lobos, Raposas e Coiotes (1999)

01 Lobos, Raposas e Coiotes
02 Filhotes
03 Beatriz
04 Uma Casa Com Gente
05 Chão
06 Várias Danças
07 Asa Branca

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MySpace Guide

MySpace Guide
PDF - 22MB

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PASSWORD
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or
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951. Toots Thielemans - Harmonica Jazz

Harmonica, Guitar, Whistling
Toots Thielemans
Guitar
Tony Mottola (tracks: 2,3,5 to 8,10,11)
Keyboards
Rob Franken (tracks: 13 to 16)
Piano
Ray Bryant (tracks: 1,4,9,12)
Bass
Niels-Henning Ørsted Pedersen (tracks: 13 to 16)
Oscar Pettiford (tracks: 2,3,5 to 8,10,11)
Wendell Marshall (tracks: 1,4,9,12)
Clarinet, Saxophone [Alto]
Artie Beck (tracks: 2,5,10,11)
Toots Mondello (tracks: 2,5,10,11)
Clarinet, Saxophone [Bass]
Carl Prager (tracks: 2,5,10,11)
Clarinet, Saxophone [Tenor]
George Berg (tracks: 2,5,10,11)
Drums
Alex Riel (tracks: 13 to 16)
Bill Clark (tracks: 1,4,9,12)
Cliff Leeman (tracks: 2,3,5 to 8,10,11)
Trombone
Al Godlis (tracks: 3,6 to 8)
Billy Rauch (tracks: 3,6 to 8)
Jack Satterfield (tracks: 3,6 to 8)
Lou McGarity (tracks: 3,6 to 8)

01. Scotch on the Rocks (Toots Thielemans)
02. Sophisticated Lady (Mills, Parish, Ellington)
03. Cocktails for Two (Johnston, Coslow)
04. Don't Be That Way (Goodman, Sampson, Parish)
05. Stars Fell on Alabama (Parish, Perkins)
06. I Let a Song Go Out of My Heart (Mills, Nomo, Redmond, Ellington)
07. I'm Putting All My Eggs in One Basket (Irving Berlin)
08. Skylark (Mercer, Carmichael)
09. Diga Diga Doo (Fields, McHugh)
10. So Rare (Sharpe, Herst)
11. On the Alamo (Kahn, Jones)
12. Sonny Boy (Jolson, DeSylva, Brown, Henderson)

13. Bluesette (Toots Thielemans)
14. Jane's Theme (Herbie Hancock)
15. The Shadow of Your Smile (Webster, Mandel)
16. Killer Joe (Benny Golson)

Tracks 1 to 12: Recorded in New York, 1954-1955
Tracks 13 to 16: Recorded in London, 1978

Music selected for Columbia 'Essentiel Jazz' series by Henri Renaud

Columbia

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950. Philip Catherine, Charlie Mariano, Jasper van't Hof - Sleep my Love (1979)

Philip Catherine

guitar, acoustic guitar, electric guitar, guitar synthesizer
Charlie Mariano
flute, soprano saxophone, alto saxophone
Jasper van't Hof
piano, electric piano, organ, synthesizer, kalimba

Recorded at Easy Sound Studio, Kopenhagen, Denmark dec. 1978 & Febr. 1979

1. Sleep my Love
2. 5 Pages
3. Le Sept Boules de Christal
4. Scrabble
5. Janet
6. Smell of Madras
7. Improvisation on a Theme of Schoenberg

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949. Christian McBride - Gettin To It (1995)

Christian McBride - Gettin To It

JAZZ | FLAC | CUE | LOG | TIFF | 390MB | 55:36
Verve 1995

Christian McBride - Upright Bass
Roy Hargrove - Trumpet, Flugelhorn
Joshua Redman - Saxophone (Tenor)
Steve Turre - Trombone
Cyrus Chestnut - Piano
Lewis Nash - Drums

01. In a Hurry
02. The Shade of the Cedar Tree
03. Too Close for Comfort
04. Sitting on a Cloud
05. Splanky
06. Gettin' To It
07. Stars Fell on Alabama
08. Black Moon
09. King Freddie of Hubbard
10. Night Train

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948. Sam Rivers - Fuchsia Swing Song (1966)

Sam Rivers : Tenor Saxophone
Ron Carter : Double Bass
Anthony Williams : Drums
Jaki Byard : Piano

Recorded on December 11, 1964
at the Van Gelder Studio, Englewood Cliffs, New Jersey.

1.Fuschia Swing Song
2.Downstairs Blues Upstairs
3.Cyclic Episode
4.Luminous Monolith
5.Beatrice
6.Ellipsis

7.Luminous Monolith - (alternate take, bonus track)
8.Downstairs Blues Upstairs - (take 1, bonus track)
9.Downstairs Blues Upstairs - (take 2, bonus track)
10.Downstairs Blues Upstairs - (take 3, bonus track)

Blue Note : 5938742 (12003, CD)

First Release : Blue Note BST 84219 (LP,1966)

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pt1 : pt2

947. Chet Baker – The Best of Chet Baker Sings (1989)

Chet Baker : The Best of Chet Baker Sings

Recording between Oct 27, 1953-Jul 30, 1956
Release Date: 1989

MP3 @ 320kbps : 167MB

Total Time: 64:16



Chet Baker (vocals, trumpet)
Russ Freeman (piano)
Joe Mondragon,
 Carson Smith,
 Jimmy Bond (bass)
Shelly Manne,
 Bob Neel, 
Peter Littman,
 Lawrence Marable (drums)



1. The Thrill Is Gone 2:46

2. But Not for Me 3:00

3. Time After Time 2:44

4. I Get Along Without You Very Well 2:56

5. There Will Never Be Another You 2:56

6. Look for the Silver Lining 2:36

7. My Funny Valentine 2:15

8. I Fall in Love Too Easily 3:18

9. Daybreak 2:38

10. Just Friends 2:40

11. I Remember You 3:12

12. Let’’s Get Lost 3:41

13. Long Ago (and Far Away) 3:55

14. You Don’’t Know What Love Is 4:48

15. That Old Feeling 2:59

16. It’’s Always You 3:31

17. I’’ve Never Been in Love Before 4:23

18. My Buddy 3:16

19. Like Someone in Love 2:23

20. My Ideal 4:19

Recorded at Radio Recorders, Los Angeles, California on October 27, 1953
Capitol Studios, Los Angeles, California on February 15, 1954 and March 7, 1955
The Forum Theatre, Los Angeles, California on July 23 and July 30, 1956

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946. Clifford Brown & Max Roach - More Study In Brown (1956)

Recorded between August 3, 1954 and February 16, 1956

Clifford Brown Trumpet
Max Roach Drums
Harold Land Tenor Saxophone
Sonny Rollins Tenor Saxophone
George Morrow Bass
Richie Powell Piano

01. I'll Remember April - Depaul, Johnston, Raye 9:47
02. Junior's Arrival - Brown 3:38
03. Flossie Lou - Dameron 4:01
04. Mildama..... Roach 3:59
05. Jordu [Complete Version] - Jordan 7:50
06. These Foolish Things - Link, Marvell, Strachey 3:44
07. Land's End - Land 3:09
08. The Blues Walk - Brown 6:54

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Jamey Aebersold vol.53 - Clifford Brown

Jamey Aebersold volume 53
Clifford Brown
pdf + audio

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945. Cannonball Adderley Quintet In Chicago (1959)

Members of Miles Davis Sextet come together with Cannonball,
recorded at Universal Studios in Chicago.
"Wabash" is an Adderley tune while "Grand Central" and "The Sleeper" are Coltrane compositions. This was rereleased as Cannonball & Coltrane.
Liner notes are here.

1. Limehouse Blues - 4:40
2. Stars Fell on Alabama - 6:14
3. Wabash - 5:46
4. Grand Central - 4:33
5. You're a Weaver of Dreams - 5:34
6. The Sleeper - 7:12

Cannonball Adderley - alto saxophone
John Coltrane - tenor saxophone
Wynton Kelly - piano
Paul Chambers - bass
Jimmy Cobb - drums

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320 kbps

http://rapidshare.com/files/290382545/QuintetInChicago.zip

944. Chet Baker Sings (1956)

01 - That Old Feeling
02 - It's Always You
03 - Like Someone In Love
04 - My Ideal
05 - I've Never Been In Love Before
06 - My Buddy
07 - But Not For Me (Vocal)
08 - Time After Time
09 - I Get Along Without You Very Well (Except Sometimes)
10 - My Funny Valentine (Vocal)
11 - There Will Never Be Another You (Vocal)
12 - The Thrill Is Gone (Vocal)
13 - I Fall In Love Too Easily
14 - Look For The Silver Lining

Chet Baker - Trumpet, Vocals
Russ Freeman - Piano
Carson Smith, James Bond - Bass
Bob Neel, Peter Littman, Larance Marable - Drums

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943. Cecil Taylor - The World of Cecil Taylor (1960)

1. Air
2. This Nearly Was Mine
3. Port Of Call
4. E.B.
5. Lazy Afternoon

Recorded: New York, NY; January 12 or 13, 1960

Cecil Taylor : piano
Archie Shepp : tenor saxophone
Dennis Charles : drums
Buell Neidlinger : bass

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942. Paul Schoenfield "The Entertainer: The Ragtime Music of Scott Joplin & George Gershwin" (1993)

Scott Joplin:
01- The Entertainer
02- The Cascades
03- Palm Leaf Rag
04- Elite Syncopations
05- The Maple Leaf Rag
06- The Easy Winners
07- Solance
08- Swipesy

Paul Schoenfield, piano

George Gershwin
09- Kicking The Clouds Away
10- Twee-Oodle-Um Bum-Bo
11- Drifting Along With The Tide
12- That Certain Feeling
13- Sweet And Low Down

George Gershwin, Piano
(from the Duo-Art Piano Rolls)

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Scott Joplin Piano Rags (Piano - Ragtime)

Scott Joplin Piano Rags (Piano - Ragtime)
PDF - 39 Pages - 5.54 MB

Contents:
1. Elite Syncopations
2. Eugenia
3. Leola
4. Rose Leaf rag
5. Bethena
6. Paragon Rag
7. Solace
8. Pine Apple Rag

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Jazz Drum Kit Lessons

pdf - 5 pag

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941. Warren “Baby” Dodds - Talking & Drum Solos

Baby Dodds - Talking and Drum Solos
(Folkways, 1946/Atavistic, 2003)

“When a man is playing, it’s up to the drummer to give him something to make him feel the music and make him work. That’s the drummer’s job. The drummer should give the music expression, shading, and the right accompaniment. It’s not just to beat and make a noise”.
Baby Dodds

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Who was Baby Dodds?

Warren “Baby” Dodds. Born 1894, died 1959. Younger brother of clarinetist Johnny Dodds. Excellent jazz drummer of the pre-swing era. Played with Louis Armstrong, Jelly Roll Morton, Kid Ory, Freddie Keppard, Bunk Johnson, Joe Oliver. Moved between New Orleans, New York and Chicago. Helped run a taxi cab company in the latter city during the Great Depression. Tragically, in 1949, was paralyzed by a series of strokes resulting in paralysis, hindering his playing in the coming years up until his death.

So?

So this marginal figure in the history of early jazz music left behind one major curiosity:
Talking and Drum Solos, the first album of unaccompanied drums in the jazz canon. Originally released by Smithsonian Folkways in 1946 as a 10” record and later, in 2003’s expanded edition, by Atavistic, Talking and Drum Solos joined a tradition of self-descriptive ethnomusicology. The first predecessor was probably Bascom Lamar Lunsford, who provided the origin and history of North Carolina folk songs whilst performing them for the Library of Congress’ archives. Dodds brought Lunsford’s methodology to jazz, though it would take a few years for the style to catch on. Willie “The Lion” Smith would go on to narrate his own album of period songs and recollections dating from World War I and the Harlem Renaissance on The Memoirs of Willie “The Lion” Smith (Koch, 1968/2001), and an aging Eubie Blake soon followed with The Eighty-Six Years of Eubie Blake (Columbia, 1969).

When we listen to an old piece of music, we’re inevitably saddened by our inability to fully inhabit the era from which it came; the poetry of its historicity seems to slip through our fingers. The most we can do is seek out the people who lived through it, the surviving relics of times past who, for one reason or another, seem to have remained frozen in a smoky Harlem nightclub or a backwoods Appalachian village, as if they themselves were documents in an archive. These baroque personalities give the illusion of having an entire epoch condensed into their being, and even the lives they led have become sterling works of art. And as problematic as it sounds, we are lucky to have them. Our modern griots sacrificed their own progress for the sake of transmitting to us what were most likely the best years of their lives.

What does that have to do with the music?

Everything – because it makes manifest the fact that all music is a kind of storytelling, and that things as inert as brass can be made to sing the song of history. Music is a direct and vibrant sort of cultural expression, and it requires a hybrid form like the memoir-album to communicate its power with any degree of truthfulness. What we’re dealing with is not even an oral history, but a sonic one; the history of jazz is made up first and foremost of notes. So Moses Asch tracked down Warren “Baby” Dodds to record Talking and Drum Solos, creating a jazz narrative from an unlikely perspective, the drum: the driving force behind Dixie, yet still its most shadowy figure. There are no grand proclamations in Dodds’ reflections on his career as a drummer, just modest explanations of the techniques used in the field, as well as brief comments on contemporaries and mentors. “That guy could make things on a horn that you wouldn’t think was in it!” we’re told of Joe “King” Oliver. “If he couldn’t sing it out he’d blow it out.”

But underneath Dodds’ banalities, reading between the lines, we can hear the story of jazz being told in his often-blistering solo demonstrations. The militarism of early marches clashes with the improvisatory nature of jazz, and one can hear the movement away from the traditional brass band to the birth of a soloist’s genre. At one point Dodds demonstrates the subtle difference between a three-quarter roll and a four-quarter roll; at others he shifts into completely abstract flourishes without offering explanations. “Careless Love Blues” is a re-creation of the standard one-two marching beat, careful not to deviate from its uptempo, repetitive thrust. Ironically, it is the next composition titled “Rudiments” that is on the far more radical side of jazz drumming. Dodds’ technique is amazing, effortlessly constructing layered rhythms between an insistent bass drum and flights on the high-pitched wooden blocks, cowbells and metallic frames of his kit. Snare rolls are pushed beyond their function as groundwork and made to sing like the best solos of Louis Armstrong, to “talk” with just as much conviction as Dodds’ voice does throughout the record. The title becomes redundant, as we soon realize that Talking and Drum Solos are in reality the same thing. Dodds is a consummate storyteller with percussion as his vehicle, in the same way that drummer Han Bennink would recapitulate jazz history on his own solo record (Nerve Beats: Atavistic, 1973/2000). It’s not for nothing that the Dutch maverick cites Talking as one of his favorite records, even borrowing the title of Dodds’ “Spooky Drums Nos. 1 & 2" for his own performance.

Atavistic’s reissue of Talking also includes “twenty bonus tracks from Folkways Records’ COUNTRY BRASS BANDS OF THE SOUTH, VOLUME ONE collection, recorded by Frederic Ramsey Jr.” Just listening to a handful of these selections makes one appreciate Dodds’ innovations all the more. The drums here are functional at best; wooden, mechanical, and crude at their worst. Yet the horns are no better. Jazz had its roots in the popular army ensemble. It kept the shambling lyricism and turned it into an art of the first caliber. In this sense, Talking and Drum Solos is more than just “a slice of history.” It’s a history in miniature, using a supreme mastery of the drumset to boil a life in music down to a mere ten inches of wax.

from
Meshes of the Afternoon: Baby Dodds - Talking and Drum Solos

The Art of Improvisation by Bob Taylor

The Art of Improvisation by Bob Taylor


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940. Jack DeJohnette w/Michael Cain & Steve Gorn "Dancing With Nature Spirits" (1996)

Jack DeJohnette
w/Michael Cain & Steve Gorn
"Dancing With Nature Spirits"
ECM Records 1996

Jack DeJohnette (drums, percussion)

Steve Gorn (soprano saxophone, bansuri flute, clarinet)
Michael Cain (piano, keyboards)

1. Dancing With Nature Spirits (Jack DeJohnette, Michael Cain, Steve Gorn) 20:28

2. Anatolia (Steve Gorn) 12:15

3. Healing Song For Mother Earth (Jack DeJohnette, Michael Cain, Steve Gorn) 22:01

4. Emanations (Michael Cain) 7:40

5. Time Warps (Jack DeJohnette, Michael Cain) 9:33

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939. Chet Baker - Estival Jazz, Lugano, Switzerland (1980)

MP3 @256kbps ~ 85mb
Recording : July 2, 1980
Time: 48:24
Bootleg

The Estival Jazz in Lugano was once called the "biggest" of Europe's small jazz festivals and is on the circuit of major international jazz festivals. The Estival Jazz unites world-famous names in Lugano (on the well-known Piazza Riforma) and its surroundings every year. There are more than 100 hours of the best there is in all fields of jazz - in the open-air and for free! This superbly recorded bootleg features Chet Baker in good form in his July 1980 appearance at the Estival, in a quintet of European jazz musicians. The highlight of the album is an excellent 16-minute rendition of 'Night Bird'.

Chet Baker (trumpet)
Nicola Stilo (flute)
Carl Ratzer (electric guitar)
Riccardo Del Fra (double bass)
Tullio De Piscopo (drums)

1. Night Bird (15:59)
2. Tempus Fugit (12:47)
3. Leaving (19:38)

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938. Count Basie And Kansas City 3 For The Second Time (1975)

Kansas City 3
Personnel: Count Basie (piano)
Ray Brown (bass)
Louis Bellson (drums)

Recorded at Cherokee Studios, Los Angeles, California on August 28, 1975
Originally released on Pablo (2310-878)

1 Sandman
2 If I Could Be With You For One Hour Tonight
3 Draw
4 On The Sunny Side Of The Street
5 The One I Love Belongs To Somebody Else
6 Blues For Eric
7 I Surrender, Dear
8 Racehorse

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937. Count Basie And Kansas City 7 Secrets (1996)

Count Basie & the Kansas City Three
Count Basie (Organ, Piano)
Thad Jones (Trumpet)
Eric Dixon (Clarinet, Flute, Sax (Tenor)
Frank Foster (Clarinet, Sax (Tenor) (tracks: 1, 3, 5, 7)
Sonny Payne (Drums)
Frank Wess (Flute, Flute (Alto) (tracks: 2, 6, 8, 9)
Eddie Jones (Bass)

1 Oh, Lady Be Good (George Gershwin, Ira Gershwin)
2 Secrets (Frank Wess)
3 I Want A Little Girl (Billy Moll, Murray Mencher)
4 Shoe Shine Boy (Sammy Cahn, Saul Chaplin)
5 Count's Place (Count Basie)
6 Senator Whitehead (Frank Wess)
7 Tally-Ho, Mr. Basie! (Count Basie)
8 What'cha Talkin? (Thad Jones)
9 Trey of Hearts (Thad Jones)

Recorded at the Rudy Van gelder Stusio, Englewood Cliffs, New Jersey
Track (2, 6, 8, 9) recorded on March 21, 1962.
Track (1, 3, 4, 5, 7) recorded on March 22, 1962.
Track 9 is a bonus track.
and was first issued on The Definitive Jazz Scene, Vol, I (Impulse AS-99)

Jasmine Records

Impulse! 051 202-2

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Mel Bay - Trumpet Method Vol. II by Bill Bay

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The Canadian Brass book of easy Trumpet solos

For Trumpet
The Canadian Brass book of easy Trumpet solos

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936. Count Basie Meets Duke Ellington For The First Time (1961)

Duke Ellington Orchestra
Duke Ellington, Billy Strayhorn (piano)
Russell Procope, Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone)
Harry Carney (baritone saxophone); Ray Nance (trumpet, violin)
Cat Anderson, Willie Cook, Fats Ford, Eddie Mullens (trumpet)
Juan Tizol (trombone, tambourine); Louis Blackburn, Lawrence Brown (trombone)
Jimmy Hamilton (clarinet); Aaron Bell (bass); Sam Woodyard (drums)

Count Basie Orchestra
Count Basie (piano); Marshal Royal (alto saxophone)
Frank Wess, Frank Foster, Budd Johnson (tenor saxophone)
Charlie Fowlkes (baritone saxophone)
Sonny Cohn, Lonnie Johnson, Thad Jones, Snooky Young (trumpet)
Henry Coker, Quentin Jackson, Benny Powell (trombone)
Freddie Green (guitar); Eddie Jones (bass); Sonny Payne (drums)

Recorded on July 6 & 7, 1961

1. Just An Old Manuscript
2. Katy
3. She's a Wine-O
4. Did You See Jackie Robinson Hit That Ball?
5. Shoutin' Blues
6. After You've Gone
7. St. Louis Blues
8. Wonderful Thing
9. The Slider
10. Mine, Too
11. Walking Slow Behind You
12. Normania
13. Rocky Mountain Blues
14. Rat Race
15. Solid As A Rock
16. Sweets
17. Nails
18. Beaver Junction
19-Sweets

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935. Count Basie At Newport [1957]

Count Basie (piano); Joe Williams, Jimmy Rushing (vocals)
Lester Young, Illinois Jacquet (tenor saxophone)
Marshall Royal, Bill Graham, Frank Foster, Frank Wess, Charlie Fowlkes (saxophone)
Roy Eldridge, Wendall Culley, Joe Newman, Reunald Jones, Thad Jones (trumpet)
Henry Coker, Benny Powell, Bill Hughes (trombones); Freddie Green (guitar)
Ed Jones (bass); Sonny Payne, Jo Jones (drums)

Recorded at Newport Jazz Festival, Newport, Rhode Island on July 7, 1957

1 Introduction by John Hammond
2 Swingin' At Newport
3 Polka Dots And Monnbeams
4 Lester Leaps In
5 Sent For You Yesterday (And Here You Come Today)
6 Boogie Woogie (I May Be Wrong)
7 Evenin
8 Blee Blop Blues
9 Alright, Okay, You Win - (bonus track)
10 The Comeback - (bonus track)
11 Roll 'Em Petk - (bonus track)
12 Smack Dab In The Mioole - (bonus track)
13 One O'Clock Jump - (bonus track)

Columbia

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Methods for Trumpet

1 - Excelente Curso para aprender a tocar la trompeta
… Ejercicios… para aguantar más el aire… método muy sencillo.
69 paginas - pdf - español

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2 - Complete Conservatory Method for Trumpet
24.5mb : PDF : 190 pag

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3 - Harry James
Method

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4 - Jazz

David Baker - Jazz Method
Vol. 1. The bebop Scales
Vol. 2. Learning the bebop Languaje
Miles Davis - Transcribeb trumpet solos
Pentatonic Scales for Jazz improvisation
Swing rhythyms for the trumpet
Latin Real Book
Gabriel Rosati salsa latin trumpet book

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How to buy a Pocket Trumpet or any Trumpet

How to buy a Pocket Trumpet or any Trumpet
from eBay Guides by pranks4u

The purpose of this guide is to let students and parents know about shopping for a quality Pocket Trumpet or any Trumpet. First of all a Pocket Trumpet is a fun and unique looking instrument but basically a gimmick for advanced Trumpet players. Be aware that for the beginning student a normal Bb Trumpet is always recommended to learn on. Keep in mind: "Instructor approved," "Not a throw away," "German type," "Phosphorus Copper Lead Pipe," "It has a serial number!", "This is a genuine," "This is not a Cheap imitation", "Wholesale","Bankruptcy'' or "You won't find a better Instrument at this price," "One year Warranty".. etc.. means absolutely nothing on a website or anywhere else and is a Big Red Flag! Remember just because a Cheap Bargain Trumpet looks great doesn't mean its a good instrument and all that glitters is not Gold, in fact it most likely is pot metal a combination of Lead & Copper! Low end cheap Trumpets with names you have never heard of usually are unrepairable because of the metal quality and music stores don't carry the parts for good reason. Most of these "Instruments" are made in 3rd World sweatshops in India, Pakistan & Mainland China by the same company and sold under different names, most of them European sounding. Some intentionally have names very similar to a quality brand name to trick you! Do research on any Trumpet brand you want to buy and the seller. Any reputable Musical Instrument manufacturer should have their own website, distributors and sell their product in music stores not just on the Internet. Are there any reviews or complaints on the web? Where are they made? Is the shipping cost overly high and what's the return policy if they send you an inferior instrument? Are you stuck with paying their overpriced shipping, handling and probably a hefty restocking fee not to mention your time and cost to send it back if its no good? The Seller has nothing to lose and everything to gain even if you ship it back! Forget about the positive feedback, most customers see a beautiful looking Trumpet which arrives quickly and they immediately leave positive feedback and don't realize they have an inferior "instrument" till it falls apart a couple months later. They never think to go back to leave the new negative feedback to warn others or they are afraid they will receive retaliatory feedback. So be sure to throughly check for any and all feedback about defective merchandise whether its a Trumpet or any other instrument they sell. If the Instruments are high quality there is very little chance of ever hearing such feedback because they are always inspected before being sent out by any reputable Manufacturer. A Pocket Trumpet or any Trumpet is never under any circumstances to have the outside lacquer inside the valve chambers! Make sure you have it in writing that anyone you buy a Trumpet from understands you will not tolerate this and you expect them to refund all your money including shipping, handling costs on both ends and you will file fraud charges if this happens. I mention this because I have seen outside lacquer in the valve chambers of a cheap Pocket Trumpet. A Trumpet should always have real Mother of Pearl valve keys. Colored Trumpets should always have lacquered color not sprayed on or it will come off easily. Make sure a qualified Trumpet player plays your Trumpet when you receive it. A beginner will not know if its them or the Trumpet that doesn't sound right. If you read any promised supplies are missing with the order or that they are inferior is another sign of non inspection & bad quality control. Be aware another sign is when a customer complains they received a poorly made Instrument the seller replies contact us it must have been damaged during shipping. Sometimes they blame the customer for mishandling it or reply: "Best Quality at this price" This means: Did you expect a decent trumpet for what you paid? Another red flag is if the Seller has left rude feedback on the buyer's feedback page who has a legitimate complaint. Your Child deserves to learn on a well made Instrument not some cheap piece of junk that will make a great table lamp. These Trumpets if they continue to work will make them a trial for your child to learn on. The most common complaint is always the sticky valves because of the inferior metals used which is unrepairable! If it sounds too good to be true it is, these are well planned out Scheme's to Con you, Buyer beware! The moderately higher priced brand names such as Amati, Jupiter and Holton are of much better quality and worth every penny, they can be repaired and will have resale value. If you can't afford to buy a quality Trumpet or you are afraid your child may lose interest in playing the Trumpet then rent one for the time being, you are not saving money buying junk.

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934. Count Basie And Dizzy Gillespie The Gifted Ones [1977]

Count Basie and Dizzy Gillespie
The Gifted Ones (Polydor/Pablo) LP

Recorded at Las Vegas Recording Studio, Las Vegas, Nevada on February 3, 1977

Personnel: Count Basie ~ piano
Dizzy Gillespie ~ trumpet
Ray Brown ~ bass
Mickey Roker ~ drums

1 Back to the Land
2 Constantinople
3 You Got It
4 St. James Infirmary
5 Follow the Leader
6 Ow!

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The World’s Greatest Jazz Fake Book

The World’s Greatest Jazz Fake Book
477 Pages Of Assorted Sheet Music
25Mb

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933. Chet Baker - Chet Baker In Bologna (1992)

MP3 ~ 192Kbps ~ 87mb
Recorded in Bologna, Italy, April 20, 1985

Chet Baker (trumpet)
Philip Catherine (guitar)
Jean-Louis Rassinfosse (bass)

1. Conception (Shearing)
2. My Foolish Heart (Washington, Young)
3. Tune Up (Davis)
4. My Funny Valentine (Hart, Rodgers)
5. But Not for Me (Gershwin)
6. Down (Davis)

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932. Chet Baker and Bud Shank - Chet Baker Quartet - Live at Fat Tuesday's (1981)

MP3@192Kbps ~ RS.com ~ 94mb
Recorded April 28, 1981 - Fat Tuesday, New York City
Time: 59:21

Chet Baker (trumpet)
Bud Shank (alto sax)
Phil Markowitz (piano)
Hal Galper (piano)
Ron Carter (bass)
Ben Riley (drums)

1. You Can't Go Home Again (10:44)
2. Ray's Idea (15:02)
3. In Your Own Sweet Way (19:13)
4. There Will Never Be Another You (14:22)

Label: Fresh Sound (Sp) FSR 131

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Bud Shank on Bari - Here with Chet Baker

931. Clifford Brown with Strings (1955)

1 Yesterdays (Harbach, Kern) 2:59
2 Laura (Mercer, Raksin) 3:26
3 What's New ? (Burke, Haggart) 3:23
4 Blue Moon (Hart, Rodgers) 3:13
5 Can't Help Lovin' Dat Man (Hammerstein, Kern) 3:43
6 Embraceable You (Gershwin, Gershwin) 3:00
7 Willow Weep for Me (Ronell) 3:24
8 Memories of You (Blake, Razaf) 3:31
9 Smoke Gets in Your Eyes (Harbach, Kern) 3:14
10 Portrait of Jenny (Burgie, Robinson) 3:24
11 Where or When (Hart, Rodgers) 3:26
12 Stardust (Carmichael, Parish) 3:23

Recorded at Fine Sound, New York on January 18, 19 & 20, 1955.

Clifford Brown - Trumpet
Max Roach - Drums
Barry Galbraith - Guitar
George Morrow - Bass
Richie Powell - Piano

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Autumn Leaves

... with Liliane - London 1955

930. Chet Baker in Paris - Vols 1-4 (1955-56)

Chet Baker in Paris (Emarcy/Barclay) - Volumes 1 to 4 
: 1955-56

Label : EmArcy/Barclay, 8374742, 8374752, 8374762, 8374772 

4 Discs : 54 Tracks

MP3 Vols 1-3 @320kbps / Vol 4 @160kbps 

Size: 118mb + 161mb + 112mb / Vol 4, 73mb

Includes custom covers for Vols 1-3

In mid-1955 Chet Baker seemed poised for stardom, with his movie-star looks and highly accessible style. He was winning jazz polls (which embarrassed him a bit since Dizzy Gillespie was at the peak of his powers) and attracting large audiences. Even Hollywood was interested, and Baker appeared in the low-budget film ‘’Hell’’s Horizon’’, with more major roles promised in the future. But things would not turn out quite as expected.
Baker sailed for Europe in September 1955, staying till the following April. His quartet for the tour started out featuring pianist Richard Twardzik, bassist Jimmy Bond and drummer Peter Littman. Twardzik was a talented bop-based pianist with a potentially bright future. In 1951, he had played in Boston with Charlie Parker. He worked along the way with Charlie Mariano and Lionel Hampton, and recorded half a Pacific Jazz album, which he shared with Russ Freeman, ‘’Russ Freeman/Richard Twardzik Trio’’ (Capitol 46861). That enjoyable bop set contrasts the two complementary Baker-associated pianists, both of whom were making their debuts as leaders.
Chet Baker in Paris Vol. 1 (EmArcy 837474) has the trumpeter’’s quartet featured on nine numbers on October 11 and includes some of the best examples of Twardzik on record. It was also his last recordings for, on October 21, the pianist died of an overdose of heroin at the age of 24. One would think that Baker would learn from the tragedy (along with the example of Gerry Mulligan); but unfortunately it had no effect on the decisions he would soon make with his life. The remainder of this CD has four selections with a sextet on October 25, including a song called “In Memory of Dick”.
Chet Baker in Paris Vol. 2 (EmArcy 837475) teams Baker with two mostly French rhythm sections.
Chet Baker in Paris Vol. 3 (EmArcy 837476) reaches up to March 15, 1956, and has Baker sharing the spotlight with the superb Belgian tenor saxophonist Bobby Jaspar in a quintet, jamming with tenorman Jean-Louis Chautemps and pianist Francy Boland in another group, and concluding his European trip with an excellent octet date.
Chet Baker in Paris Vol. 4 (EmArcy 837477) is mostly for completists as it consists of alternate takes from four of the sessions. Throughout the discs, Baker is heard at his playing prime (there are no vocals) and he shows why he was rated so high during the period. And with 13 CDs of material recorded as a leader during 1953-early 1956, Baker was (next to Louis Armstrong) clearly the most popular trumpeter in jazz.
All 4 of these volumes are currently out of print, but an 8-disc set has just been released in 2008, with even more alternate takes.

Chet Baker In Paris Volume 1
Emarcy 837474-2 / Emarcy 837477-2

Recorded October 11, 14 & 25, 1955, Studio Pathe-Magellan, Paris

Personnel on Oct.11,14:
Chet Baker (tp) Dick Twardzik(p) Jimmy Bond(b) Peter Littman(d) 

Personnel on Oct 25:
Chet Baker(tp) Benny Vasseur(tb) Jean Aldegon(as) Armand Migiani(ts) 

Willliam Boucaya(bars) Rene Urtreger(p) Jimmy Bond (b)Nils-Bertil Dahlander(d)

1. Rondette - 2:09 

2. Mid-Forte - 3:06 

3. Sad Walk - 4:13 

4. Re-Search - 4:57 

5. Just Duo - 4:10 

6. Piece Caprice - 5:08

7. Pomp - 4:39 

8. The Girl from Greenland - 5:13 

9. Brash - 5:53 

10. Chet - 3:08 

11. Dinah - 3:02 

12. V-Line [First Version] - 3:02 

13. In Memory of Dick - 2:56

Chet Baker In Paris Volume 2

Emarcy 837475-2, Emarcy 837477-2 
Original LP issue: Barclay 84017

Recorded October 24 and November 28, 1955, Studio Pathe-Magellan, Paris 


Personnel, Oct.24:
Chet Baker(tp) Gerard Gustin(p) Jimmy Bond(b) Nils-Bertil Dahlander(d); 

Personnel, Nov.28:
Chet Baker(tp) Raymond Fol(p) Benoit Quersin(b) Jean Louis Vitale(dm) 



1. Summertime - 4:13 

2. You Go to My Head - 5:52 

3. Tenderly - 6:37 

4. Lover Man - 4:50 

5. There’’s a Small Hotel - 3:45 

6. Autumn in New York - 7:04 

7. These Foolish Things - 4:41 

8. I’’ll Remember April - 5:51 

9. Alone Together - 3:50

10. Exitus - 8:29

11. Once in a While - 5:33 

12. All the Things You Are - 5:41 

13. Everything Happens to Me - 3:38

Chet Baker In Paris Volume 3

Emarcy 837476-2, Emarcy 837477-2

Recording Dates: December 26, 1955; February 10, 1956; March 15, Paris

Personnel, Dec 26:
Chet Baker(tp) Rene Urtreger(p) Bobby Jaspar(ts)
Benoit Quersin(b) 
Jean Louis Vital(dm)

Personnel, Feb 10:
Chet Baker(tp) Jean Louis Chautemps(ts) Francis Boland(p)
Eddie De Haas(b) Charles Saudrais(d) 

Personnel, March 15:
Chet Baker(tp) Benny Vasseur(tb) Teddy Ameline(as) Armand Migiani(ts) 

William Boucaya(bar) Francy Boland(p) Benoit Quersin(b) Pierre Lemarchand(dm)

1. Chekeetah - 6:00

2. How About You - 4:27 

3. Exitus - 4:14 

4. Dear Old Stockholm - 7:43 

5. Speak Low - 4:27 

6. Anticipated Blues - 2:28 

7. Cheryl -3:10 

8. Tasty Pudding - 4:43 

9. Mythe - 3:00 

10. Not Too Slow - 2:50 

11. Vline - 2:52 

12. In a Little Provincial Town - 2:55

Chet Baker in Paris Volume 4 - Alternate Takes
Emarcy 837477-2 
Original LP issue: Barclay 84042

#1-3 Recorded October 25, 1955

#4-7 Recorded November 28, 1955 

#8-11 Recorded December 26, 1955 

#12-16 Recorded February 10, 1956

1. Chet - 3:15 

2. Dinah - 3:09 

3. In Memory of Dick - 2:58 

4. Alone Together [1] - 3:32 

5. Alone Together [2] - 3:42 

6. Exitus [Quartet version] - 7:03 

7. All the Things You Are - 5:41 

8. Chekeetah - 5:06 

9. How About You - 4:14 

10. Exitus [Quintet version I] - 4:28 

11. Exitus [Quintet version II] - 4:24 

12. Anticipated Blues - 2:17 

13. Tasty Pudding [Take 1] - 2:18 

14. Tasty Pudding [Take 2] - 1:56

15. Tasty Pudding [Take 3] - 2:09 

16. Tasty Pudding [Take 4] - 6:05

1955-56 In Paris-Barclay Sessions (2000)
Recorded at Pathe-Magellan Studio, Paris, France between October 11, 1955 and March 15, 1956

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vol1 :: vol2 :: vol3 :: vol4

929. Clifford Brown & Max Roach - Brown And Roach Incorporated (1954)

01 Sweet Clifford ..... Brown 6:41
02 I Don't Stand a Ghost of a Chance with You ..... Crosby, Washington, Young 7:19
03 Stompin' at the Savoy ..... Goodman, Razaf, Sampson, Webb 6:23
04 I'll String Along with You ..... Dubin, Warren 4:09
05 Mildama ..... Roach 4:30
06 Darn That Dream ..... De Lange, Van Heusen 4:02
07 I Get a Kick out of You ..... Porter 7:36

Recorded in Los Angeles on August 2, 3, 6, and 10, 1954.

Clifford Brown - Trumpet
Max Roach - Drums
Harold Land - Tenor Saxophone
Richie Powell - Piano
George Morrow - Bass

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You Can Teach Yourself Guitar by William Bay

You Can Teach Yourself Guitar
(14.6mb)

This is a very popular guitar method. Its success lies in the fact that it is extremely easy to understand and very flexible. It moves at a slow, steady pace and enables you to play chord accompaniments in 7 primary guitar keys! In addition, you will learn to strum blues chords and you will also begin to play fingerstyle backgrounds.

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